Learning to Learn

I recently wrote an article about learning through first-hand-experience. The paper is to be presented at Design + Research + Society DRS2016 conference in Brighton in the end of June. It is available for reading here: http://www.drs2016.org/103

Here is the abstract: A child cannot be taught how to walk – it has to sense the balance of its body, the smoothness of the floor, the strength of its muscles, and respond appropriately. The author argues that the process of learning depends on embodied functions and subjective experiences of the one who is learning. This paper discusses the first-hand perspective in the process of material transformation. During such a process, the acting person has to be attentive and make innumerable adaptive choices. Examples from a doctoral study focusing on young children (3 year olds), illustrate how the children’s first-person experiences related to their learning. The author proposes that similar processes take place at all ages and that experience of learning through material transformation is an arena for learning how to learn. The paper initiates discussion about interactive relationships between the senses, attention, emotional engagement, responsibility, mastery, self-confidence and learning during material transformations.

Teaching and Trust

Can teaching ever be neutral and objective? I don't thinks so. The way you look at your students, the way you make them feel - everything matters for their personal growth and emerging understanding. My colleagues Anne Lise Nordbø and Fatima Cruz and I studied our own teaching in a project where we asked our students (early childhood teacher education) to improvise in performative events with 0-2 year old children. We learned that trust was essential for our students' abilities to develope their improvisational skills. We tecahers first had to earn the students' trust, before they were able to embrase the challenges we exposed them to.

Our article "Trust me, you will learn something! - Challenge and confidence in teaching improvisation" is now published in the book "Education as Jazz: Interdisciplinary Sketches on a New Metaphor", edited by Marina Santi and Eleonora Zorzi.
http://www.cambridgescholars.com/education-as-jazz

What Can a Donkey Teach Teacher Students?

A new study year has started at Vestfold University College. I was responsible to facilitate activities for app. 100 new students in the beginning of their early childhood teacher education on Tuesday August 27th. Wishing to give them a memorable start I planned an assignment which would challenge them to solve a real problem: design an aid that can enable a dumb donkey to communicate by sound. The problem solving activity demanded collaboration with people they had just met and establishing a good learning atmosphere was one of the aims of the group work. The assignment was also meant to function as an introduction to what it can mean to be a student and invitation to use all senses, imagination and the whole body in their learning and teaching.

The main goals were:
- To become aware of that each student’s attitude, humor, imagination, curiosity, emotions, knowledge and skills count as valuable sources in a collaborative learning processes
- To experience creativity in practice and how imagination contributes to learning
- To experience that learning is an challenging process that demands attention, persistence and investment of personal efforts; that some things can only be understood thorough engagement in an activity; that emotional attachment and genuine will to solve a problem (in this case motivated by empathy for the donkey) matters in learning;

The assignment had two main parts: First the students were asked to discuss a design of an aid for the donkey and had possibility to measure or test it. One group for instance tested the donkey’s ability to band it’s neck by putting apple pieces on the it’s back. The students were to make a drawing of the aid and explain on a poster how the aid would be used.

The second part of the assignment was to make a pedagogical plan that could be used to teach the donkey to use the aid. Such plan could be based on observation of the donkey, information about donkeys on internet, students own experiences from animal training or similar. The donkey was present during the three hours the students were working on the assignment, thus some of the students were much faster in finished the assignment - they still don’t know that assignment like this could last for days or months, depending on the level of going in-depth. One of my hopes was indeed to motivate the students to engage with assignments that their teachers plan in order to facilitate their learning. If they are eager to learn, refusing an assignment only because it seems silly is not an option. However silly (or call it creative or imaginative) it can lead to insights and experiences that could not be imagined in advance. If learning leads to new insights, how can we ever know in advance what we will come to understand? But being enriched with new experiences can last forever…

The event was covered by journalists from NRK (Norwegian national TV- channel) with a radio report, internet news and regional TV program Østafjells on august 27th (please rewind to 13 minutes and 30 seconds in the show). Though they focused mostly on the funny and cute sides of the event, the publicity was good for the new preschool teacher education, for me, and of course for donkeys.

Photo: Jan Gulliksen NRK

I wish time was my friend...

Only a short notice to apologize for low frequency of contributions to this blog: I have received positive response from the book referee and am busy (or at least should be) with rewriting it. However, this time of years is also busy with exams and other teacher-related responsibilities.
So, you'll just have to be patient with me. A blog about pedagogical improvisation is just around the corner! While you are waiting, please relax, look at the world around you and explore some flowers or other wonderful beauties of the nature. I will do that too - when I get some time...

We all have something to learn from young children’s curiosity, attentiveness and sense of time...

Grasping with Body

What a relief: Two days ago I finished writing a book and sent it off to a referee. Even though I know this is just a first phase and still much work left, it’s a wonderful feeling to have written all of the planned pages. The book has actually already been on sale for some time before it was written – it was a shock to discover that a few months ago, but it also stressed me up to hurry with writing. This is how the book is featured on the publisher’s web page: http://universitetsforlaget.no/nettbutikk/begripe-med-kroppen.html        
And this is what the text in Norwegian means, roughly: 

Book title: Grasping with Body: Children's Experiences as Basic for all Learning

The book provides a comprehensive view of young children's experiential learning, with focus on the body, emotions and imagination. It argues for holistic and interdisciplinary understanding of Learning and development. Practical examples form the author's play with 3-5 year old children show how the children’s past and present experiences during explorative play with materials contributed to their imaginative cognition. 

The book is based on the author’s doctoral research. The author highlights how a child's unique combination of personal experiences is connected to meaningfulness of the learning process. "Micro-discoveries", during which a child achieves the feeling of mastery in solving a small self-initiated problem, function as powerful motivation for creativity and learning, and enthusiasm to deal with new challenges.

The textbook is written for the new preschool teacher education program, starting in Norway from fall 2013, addressing specifically the two subject areas in the program: “Child development, play and learning” and “Art, culture and creativity”. The author hopes to motivate preschool teacher students’ critical reflection on their attitudes and teacher roles. The book is also useful for professionals in the early childhood education, primary school teachers, and others concerned with education and children.

Old Blog in New Gown

Last month or so the text number 100 was posted here. Today’s short post is a kind of celebration, also marking the blogs fourth birthday. I think it deserves a little attention – a kind of meta-reflection.
 
Even though I do not write here as frequently as I wish to, it is amazing how keeping a blog in itself motivates my attentiveness and in deepens my curiosity. Knowing that many things around me might qualify for a post, actually makes me look for possible themes, observations and reflections I could write about. It sharpens my attention.

Some time ago I got a pleasant request to translate and customize some the posts from this blog for a Norwegian magazine for early childhood teachers called Barnehagefolk. They were especially interested in short stories about children. I was flattered!  Even though all Norwegians understand English, I am happy to make my stories more available for Norwegian audience. Selected texts from this blog are converting to columns on pages 6 and 7 four times a year. http://www.barnehageforum.no/magazine.aspx?magazineid=1

Writing in English (my third language) has been challenging and instructive, and when I decided to publish something in Norwegian (my second language) I fell like that was going to be really easy. But it is not. Writing in another language also means that audience will be different and this requires considering more than translating the words. A part for the column writing I’ve been busy with writing a textbook on the basis of my dissertation. The dissertation was written in English and the textbook in Norwegian, and there are many other considerable differences between the two. I get a bit impatient when I spend too much time at the same page – especially when I realized that the book is already on sale! Look here: http://www.universitetsforlaget.no/boker/boker_som_kommer/katalog?productId=70380756  A translation of the title would sound like this: “Grasping with Body: Children’s experiences as basic for all learning”. So, you should know what I am up to if I don’t show up at this blog so often…

Article in Education Inquiry

I am proud to announce that my colleagues from Vestfold University College, and I, are responsible for the themed issue of  Education Inquiry that can be found here: http://www.use.umu.se/digitalAssets/103/103295_inquiry_vol3_nr3.pdf . The articles are based on our project where we have studied significance of space and materiality in early childhood education.

My article discusses teacher's responsibilities in providing materials and spaces for negotiation of meaning. It is based on Elliot Eisner's (2002) claim that by selecting materials, a visual art teacher can provide possibilities for certain forms of learning to take place, but cannot decide what can be learned. A few episodes with my own interaction with a three year old girl during our play with textiles are discussed in relation to the claim.


Eisner, E. W. (2002). The arts and the creation of mind. New Haven, Yale University Press.
Fredriksen, B. C. (2012). "Providing materials and spaces for the negotiation of meaning in explorative play: Teachers’ responsibilities." Education Inquiry 3(3): 331-347.

Among Books

The library at Vestfold University College approximately once a month welcomes students, teachers and other personnel to take a seat among the books and listen to a talk. Last week it was my turn. To present my PhD-study, I prepared a short introduction for those who had not heard about the study, and planned to focus on something different from what I earlier presented to my colleagues and students. My choice was to present the “Model of Negotiating Grasp”, discuss children’s competences and raise some questions about teachers’ responsibilities in providing conditions for children’s negotiation of meaning.

The concept “Negotiating Grasp” was constructed during my study. It draws connections between physical grasping with hands (and other parts of body) and mental (or rather body-minded) grasping, and connects embodiment and cognition similarly to Efland’s (2004) concept “imaginative cognition”. The “Model og Negotiating Grasp” is developed in my theses (Fredriksen, 2011). It is a kind of framework which helped me analyse processes of young children’s meaning negotiations, and which, according to my PhD-committee, also could be helpful for other teacher and educational researchers.

The last part of the library talk was related a sentence from Eisner’s (Eisner, 2002) book “The Arts and the Creation of Mind” where he says that teachers can, by choosing materials and tools, provide conditions for certain learning processes, but cannot decide what will be learned. If we consider that new understandings are negotiated between children, teachers, materials and tools (and not transmitted in “traditional way”), providing suitable physical conditions, materials, books, music etc. becomes one of the most important tasks of a teacher. Another important task if we want children (or learners of any age) to participate in their own knowledge negotiation, would be to truly believe that learners are capable of contributing with their experiences. It is first when we are open-minded that curricula can be given new life (as in “curricula-as-lived” (Irwin & Chalmers, 2007)) along with the processes of negotiation.

The thesis “Negotiating Grasp” can be down-loaded at http://brage.bibsys.no/aho/handle/URN:NBN:no-bibsys_brage_25972

References:
Efland, A. D. (2004) Art education as imaginative cognition. In E. W. Eisner & M. D. Day (Eds.), Handbook of research and policy in art education (pp. 751-773). Mahwah: National Art Education Association / Lawrence Erlbaum Associates.
Eisner, E. W. (2002) The arts and the creation of mind. New Haven: Yale University Press.
Fredriksen, B. C. (2011). Negotiating grasp: Embodied experience with three-dimensional materials and the negotiation of meaning in early childhood education. 50, The Oslo School of Architecture and Design, Oslo.
Irwin, R. L., & Chalmers, F. G. (2007) Experiencing visual and visualizing experience. In L. Bresler (Ed.), International handbook of research in arts education (pp. 179-193). Dordrecht: Springer.

Spaces for Emerging Questions

My visual art students are these days struggling to formulate research questions for the first time. They complain that they’ve been working for hours and still don’t have proper questions. My experience is that formulating a question can take weeks and months of reformulating, reading, reflecting, and possibly the most important: discussing with others - Discussions with colleagues with similar interests is, at least, what I find the most important for my emerging questions.
Last week I spent three days with my colleagues – our little community of knowledge with common interest in research on the importance of physical space and materiality in early childhood education. Our three-day-stay at a SPA hotel in Strømstad (Sweden, just on the other side of Oslo fjord) basically consisted of spending time in our rooms and writing, but we frequently met for short discussions and meals. All of us had a well-defined task to write an article for the same journal (Education Inquiry), and it was never difficult to find something to talk about. The conversations about one of the articles were always relevant for the other articles; When someone wondered about something, she/he was usually not alone; When some questions were posed, new questions aroused and engaged the participants in lively discussions.

Informal discussions during the meals contributed to further development of friendly atmosphere, mutual trust and confidence, and created spaces where any kind of question could be posed; Where any kind of question could be born from the synergies of disciplines, interests, knowledge, experiences - and the mutual, inter-subjective engagement.

The Point of No Return

The thesis was finished on Sunday morning, the last day of my three-year long full-time study. It was printed late in the evening, copied five times on Monday morning and personally delivered to my advisor Martina Keitsch in Oslo in the noon. I suppose that three of the examples are on their way to committee members: Marte Gulliksen, Michael Parsons and Halina Dunin-Woyseth. How it goes from here, is not up to me any longer…

The thesis has been titled “Negotiating Grasp: Embodied Experience with Three-dimensional Materials and the Negotiation of Meaning in Early Childhood Education”. An article based on the thesis has been published in the digital journal FORMakademisk. The article presents a few examples of children’s interactions with 3D-materials and suggests that children’s creative ideas come from interactions between their past and present experiences.

Negotiating Grasp

From Sculpturing Words to Negotiating Grasp – the focus of my study has gradually moved closer to embodied forms of interacting with and knowing our world; I am not saying that linguistic form of knowing is not embodied, but that it is only one of the ways humans acquire understanding of their world and themselves. We all had bodies before we could talk (Egan, 1997).
The new name for my thesis is Negotiating Grasp, with intention to illustrate the importance of physical interaction with materials. I suggest, as Parsons (2007), that thought is embodied.

Negotiating Grasp is an ambiguous construction where the word negotiating can be understood as both a verb and an adjective. The term I have constructed illustrates the conjunction between, on one side, a child’s physical action of exploring 3D-materials (like a hand grasp), and on the other, the child’s mental grasping of new understandings (through micro-discoveries). The word grasp refers therefore both to a physical and cognitive grasp. When the word negotiating is understood as an adjective, both types of grasp are active processes that a child can negotiate through and between. However, if the word negotiating is understood as a verb, the concept illustrates an activity where, besides a child and 3D-materials also others can be involved in, for example teachers and peers. The concept negotiating grasp is meant to cover all of the mentioned interpretations, with hope to illustrate the complex relation between physical experience, cognition and social influences.

I have written about children’s play with 3D-materials in the article: Meaning making, democratic participation and art in early childhood education: Can inspiring objects structure dynamic curricula? published in International Journal of Education through Art, 2010 Volume 6 Number 3: http://www.intellectbooks.co.uk/journals/view-issue,id=1945/

Another article has been accepted to be published on http://www.formakademisk.org/index.php/formakademisk
This article is based on the PhD study and is titled: When past and new experiences meet: Negotiating meaning with 3-D materials in early childhood education

Egan, K. (1997). The educated mind: how cognitive tools shape our understanding. Chicago: University of Chicago Press.
Parsons, M. (2007). Art and Metaphor, Body and Mind. In Bresler, L. (Ed.), International Handbook of Research in Arts education (pp. 533-542). Dordrecht: Springer.

Just busy with writing…

I haven't forgotten about this blog, but will have less time to publish on it this spring. This is (hopefully) the last spring of my PhD study, and I will from August 1-st be back on my job at the Vestfold University College. That means that I have to finish writing my thesis already in April, in order to send it to a reader, have time to re-write, edit and polish the language and have it delivered by the end of the summer.

The intensive writing started a few weeks ago in a little village in Northern Spain – in the peaceful surroundings I managed to produce almost one chapter a week (of course not form the scratch). And my friend Nicola was there, always ready to discuss my writing, help with the English and invite to walk, or a riding trip with her horses.

I am very happy with my new advisor Dr. Martina Keitsch – I’ve just sent her my second chapter, and the third should be on its way in a couple of weeks. I am also glad for the feed-backs I’ve received on my two articles (one sent to FORMakademisk, the other to A-Techne) … it is just that they need some revision and that also takes time… So, don’t worry if I don’t write on this blog as often as I should … I am probably writing something else…

Here are some pictures from my office, second floor over the garage. (The sawing machine is close, but not so much in use lately :( My dog Zorro sometimes keeps me company, and plays with empty water bottles.

Journal Publishing

Since I’ve decided to write an article based theses, I’ve been thinking about how to organize it. I think that the articles, deriving from the same material, should build upon each other, but should not ovelap too much; They should complement one another and show the empirical material from different points of view (?)


Like a path, my study cuts across different landscapes: early childhood education and early childhood teacher education, visual arts, language development, multimodality, imagination and creativity, learning through play, studies of learning environments, sculpture and three-dimensional materials, and arts-based qualitative methods of inquiry. Since it is hardly possible to find a journal that covers all of the areas, I plan to publish in different journals, addressing different audience. I will have to work on careful planning which contents to present in each of the articles, and which kind of narrator voice to apply. In order to do that, I should need to know what my current audience (for each of the journals) would need to know more about (what they are not familiar with) and what I should need to write much about (so that they will not get bored reading about something they already know). I should take a good look at the landscape and imagine my audience…


At the Sixth Congress of Qualitative Inquiry I attended panels where journal editors presented their work and gave advice to writers. Here is what I learned from them:

Some of the journals presented on June 28-th were not specialized for qualitative studies, while others would publish qualitative studies only – A writher should know which kind of journal his study would fit best into. Some journals were method journals (like for instance the Journal of Mixed Methods Research), that would not be relevant for publishing articles that present contents of a study. Readers of method journals would rather like reading which advantages the specific research methods had in order to understand the problem that has been studied.

Dorothy Becvar (Journal of Family and Therapy) said that she is devoted to the qualitative method and wants to make sure the method is well presented. Ron Chenail (Qualitative report) encouraged writers to write in first person and in active form (not “the informants were interviewed” but “I interviewed the informants”).

Ian Shaw, University of York (Qualitative Research Work) presented his applied qualitative research journal and explained that “applied research” is about “meaning worked out in particular contexts”. When one is preparing to publish in an international journal, the article should be written in a way that it speaks across the boundaries of different contexts. Before submitting one should ask the question: Would the theme be relevant for audience outside the specific contexts? (Some things migt be relevant, others not. One should be careful where and how to step...)


Harry Torrance (British Educational Research Journal) explained that one should know that growing journals would reject the most of the articles. Donna Mertens (Journal of Mixed Method Research) gave advice that writers should always refer to articles earlier written in the journal one wants to publish in (at least two references). One should also try to find out what the editor’s, and the board member’s, research and write about. She explained what one should do when receiving two different (or even opposite) feed-backs from board-members. This happens and can be confusing. The writer might take the position of one of the reviewers, but she/he would still have to respond to the requirements from both of the reviewers in order to get published.

Janice Morse gave an editor’s perspective on how to get qualitative research published. Her angle was to present usual rejection reasons and questions to be checked before submitting: Does the article fit to the mission of the journal? Have you writing who you are (student, researcher etc.)? Is the topic exciting for others? Do you write with confidence? Do you write with enthusiasm? Do you have too few, or too many, references? If the presented project is conducted together with others, did you make explicit how much of your study ovelap with other projects? (And make sure that the people you have collaborated with are mentioned.)