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torsdag 19. mai 2016

Teaching and Trust

Can teaching ever be neutral and objective? I don't thinks so. The way you look at your students, the way you make them feel - everything matters for their personal growth and emerging understanding. My colleagues Anne Lise Nordbø and Fatima Cruz and I studied our own teaching in a project where we asked our students (early childhood teacher education) to improvise in performative events with 0-2 year old children. We learned that trust was essential for our students' abilities to develope their improvisational skills. We tecahers first had to earn the students' trust, before they were able to embrase the challenges we exposed them to.



Our article "Trust me, you will learn something! - Challenge and confidence in teaching improvisation" is now published in the book "Education as Jazz: Interdisciplinary Sketches on a New Metaphor", edited by Marina Santi and Eleonora Zorzi.
http://www.cambridgescholars.com/education-as-jazz

lørdag 20. februar 2016

What could a Serbian donkey teach Norwegian students?



Students of teacher education at University College of Southeast Norway were exposed to an extraordinary challenge when they were asked to help a donkey with her health troubles. Maza-donkey had traveled far away from home in Serbia, over seven mountains and seven seas, to a place in Norway where grass was greener… dangerously greener. The change of climate and food did not do her well, she got laminitis (horse disease caused by too much sugar and proteins in food) and she desperately needed help to keep her dissolving hooves dry during the long Norwegian winter.

The fall after Maza got sick I was responsible for visual art teaching in a wonderful group of 17 students of teacher education. Their excitement inspired me to come up with an idea that they could design a shelter for Maza. That would be a realistic problem for them to solve – with pedagogical capacity to engage them, make them learn though experience and get inspired how they could plan their future teaching of school children.


A large cage-like construction was occasionally standing just outside the art department. It was a rest from reconstruction of the building. It needed to be removed anyway, and we saw possibilities how to transform it into a castle for Maza - who we imagined was a donkey princess. The students designed square applications in water-proof textile to fill the windows in the metal frame. Maza herself inspired the designs: some of the motives were her hairy ears, happy tail and mystical cross on her back. The students that were inspired by a story about “princess Maza” gave her diamonds and other things a princess should have in her castle. Some students made landscapes to remind her of her beloved home county. One student even made an applique of Serbian national fruit plum, unaware of the fact that Maza once upon the time actually lived in a plum garden…


Maza taught the students about empathy and designing for specific purpose and needs. She taught them about the importance of imagination in learning and teaching, and how meaningfulness comes from feeling of being of value for someone else… event if (or exactly because?) that someone else is a little helpless donkey. There is so much mastery and joy in the experience that out efforts matter to someone. 

Thanks to Henning, Terje and Thomas who helped with transporting of the “cage-construction” from University College of Southeast Norway to the stables at Holt, Stokke, and to Marianne and Roger that allowed us to place it on their property.


This story has also been edited and published at the web-page of Norwegian embassy in Serbia:   http://www.norveska.org.rs/News_and_events/News-and-events1/What-could-a-Serbian-donkey-teach-Norwegian-students/#.Vsi3RWf2bIU


lørdag 27. juni 2015

Waiting for a Yellow Dress


“Why didn’t you come earlier?! I have been waiting for you so long! I have been waiting for a million time!” Ana was three and a half years old and had learned that “million” was really much. “Hundred of  million time!!!” she added while she was tramping with her foot and stretching her arms and fingers toward me. She was acting angry. When she saw me at the door, she first gave me a big hug and a broad smile, and then she remember that she was supposed to be angry. Yes, I was guilty: my flight company was on strike and I was 7 hours delayed. She had been waiting for me the whole day, and now she had to go to sleep. We had not seen each other for eight months and that is really long time for an aunt and a niece.
 
I was so late and did not even bring her what she wished for: a yellow dress. When I asked her on the phonea few days earlier: “What shall I bring you from Norway?”, she had a specific idea about a yellow dress, how long it was supposed to be, how it was supposed to swing and move. I could not imagine the color and the details she had on her mind, and was sure that shopping for such a dress would take much longer than making it. So, I thought that she and I could make this dress together – this would be the best way to give life to the special dress from her imagination.


The next morning we went to a close by textile shop, not exactly a dress-textile shop, but they had some nice curtain fabrics. Ana found something she liked, not exactly yellow textile, but light violet, just thick enough for a spring dress that would swing well. We also found some nice ribbons, buttons and other accessories in matching colors and we were ready for action. First we made a drawing, measured length and width. Ana helped with measuring and cutting, as well as with feeding the sewing machine. She was patiently participating in the whole process of the creative dressmaking. Her patience was challenged additionally when the sawing machine went on strike (too) and we could not finish the dress the same day. The morning after, I took the dress and went to visit Ana at her pre-school. “I knew you would come!” she shouted when I arrived, and she wanted to try the dress on immediately. It fitted perfectly! The following days Ana carried the dress - sometimes on, sometimes in her backpack, but always with her.


lørdag 7. desember 2013

Masters of Inclusion

My Norwegian friends ask me what I am doing in Urbana, Illinois, so far away from home? I have to admit that I’ve had a moment or two when I also wondered: What is the point of being a visiting scholar?
 
Prof. Stake's double office is always “open for business”.

Here comes a quick answer: I learn and experience so much, and do it in different ways than I can do at my home institution (Vestfold University College). The concentration of competence and knowledge gathered around the University of Illinois is overwhelming, and it is even more overwhelming when holders of such knowledge, prominent professors, want to share their wisdom with me. In a sophisticated way I learn about myself through their eyes. I feel included and it might be exactly this feeling that is the most important experience I will be bringing with me; Inclusion and curiosity about my research provide me with motivation, confidence and endurance needed to peruse research challenges I am dealing with.

Hug of inclusion: Comfortable between Prof. Liora Bresler and Prof. Michael Parsons on Liora's party December 7th.

Among the wise professor with long-life-research-carriers I feel like someone who has just learned how to walk and with stumbling steps tries to catch up. Still they invite me to accompany them for meetings with their old friends, for lunches, trips, and Halloween- and Thanksgiving dinners with their families; They trust me to present on their courses, to write research proposals with them, to borrow their books and offices, and give advice to their PhD-students. They share theatre and other experiences with me, and even organize parties for me, as Prof. Liora Bresler has been doing; Liora is a true master of inclusion! As well are Prof. Robert Stake and Prof. Walter Feinberg. I suppose their inclusive attitude, curiosity and care for others are subtle components of their wisdom.

 Prof. Robert Stake, Robert Louisell, Charles Secolsky, Klaus Witz and I drove to St. Louis to visit Prof. Louis Smith and his friend David Goodwin on December 3rd. 
 

fredag 30. august 2013

What Can a Donkey Teach Teacher Students?

A new study year has started at Vestfold University College. I was responsible to facilitate activities for app. 100 new students in the beginning of their early childhood teacher education on Tuesday August 27th. Wishing to give them a memorable start I planned an assignment which would challenge them to solve a real problem: design an aid that can enable a dumb donkey to communicate by sound. The problem solving activity demanded collaboration with people they had just met and establishing a good learning atmosphere was one of the aims of the group work. The assignment was also meant to function as an introduction to what it can mean to be a student and invitation to use all senses, imagination and the whole body in their learning and teaching.


The main goals were:
- To become aware of that each student’s attitude, humor, imagination, curiosity, emotions, knowledge and skills count as valuable sources in a collaborative learning processes
- To experience creativity in practice and how imagination contributes to learning
- To experience that learning is an challenging process that demands attention, persistence and investment of personal efforts; that some things can only be understood thorough engagement in an activity; that emotional attachment and genuine will to solve a problem (in this case motivated by empathy for the donkey) matters in learning;

The assignment had two main parts: First the students were asked to discuss a design of an aid for the donkey and had possibility to measure or test it. One group for instance tested the donkey’s ability to band it’s neck by putting apple pieces on the it’s back. The students were to make a drawing of the aid and explain on a poster how the aid would be used.

The second part of the assignment was to make a pedagogical plan that could be used to teach the donkey to use the aid. Such plan could be based on observation of the donkey, information about donkeys on internet, students own experiences from animal training or similar. The donkey was present during the three hours the students were working on the assignment, thus some of the students were much faster in finished the assignment - they still don’t know that assignment like this could last for days or months, depending on the level of going in-depth. One of my hopes was indeed to motivate the students to engage with assignments that their teachers plan in order to facilitate their learning. If they are eager to learn, refusing an assignment only because it seems silly is not an option. However silly (or call it creative or imaginative) it can lead to insights and experiences that could not be imagined in advance. If learning leads to new insights, how can we ever know in advance what we will come to understand? But being enriched with new experiences can last forever…

The event was covered by journalists from NRK (Norwegian national TV- channel) with a radio report, internet news and regional TV program Østafjells on august 27th (please rewind to 13 minutes and 30 seconds in the show). Though they focused mostly on the funny and cute sides of the event, the publicity was good for the new preschool teacher education, for me, and of course for donkeys.

Photo: Jan Gulliksen NRK

tirsdag 11. juni 2013

Pedagogical Improvisation

This spring I constantly got reminded how important ability to improvise is in teaching and life. Here, to improvise does not mean to uncritically do whatever comes to your mind (though sometimes it feels like that), but refers to the ability to attune to emerging challenges of constantly changing reality. Professional improvisation, like in teaching, is about activity that engages all knowledge, experiences and competences stored in one’s body; It is exactly because the knowledge is embodied and tacit that we can respond immediately and appropriately without having time to think… as if body acts by itself.
 
From April 18th to 27th my colleague Anne-Lise, a drama teacher and I conducted a project about pedagogical improvisation with our early childhood teacher students and a colleague from Spin, visiting professor of social psychology, Fatima Cruz. In the project pedagogical improvisation was present on two main levels: On one level the students were to prepare an improvisational theatre with 1-2 year old children; On the other level, Anne-Lise and I were improvising in our teaching and Fatima was observing us in action. In short, Anne-Lisa and I (drama and visual art teachers) gave student groups (3-4 students) some strange materials to explore. The quality “strange” means that the materials did not give the students any hints what could be done with them, but would challenge the students to wonder, discuss and explore the materials they had never seen before or had usually taken for granted. We wanted them to acquire a broad repertoire of experiences with the materials and of activities that could be done with the materials. We assumed that such repertoire would make it possible for them to respond immediately when children spontaneously entered the scene in the middle of students play. This assumption was probably made on the basis of our own experiences that two teachers from two disciplines had larger repertoire of ideas and responses.



The process of meeting the materials seem to be frustrating for the students, mostly because we demanded more and more engagement from them. We wanted them to “go into the materials” – we pushed them into the unknown, and this was probably both scary and irritating, and appeared meaningless: What was the point?

I’ll try to explain in short what the point was, but we have not finished with analysing the data and are working on an article that can give more answers; Out teacher responsibilities were to challenge the students to engage, be attentive and reflect about their experiences. If they were to expand their horizons, they had to meet challenges and not avoid them, and in order to meet the challenges they needed to be confident that they were doing “the right things”. Possibilities for successful pedagogical improvisation emerged in the overlapping between challenging the students and supporting them. In order to make them engage we had to push them, but in the same time show them that we care about them, that we are not mean. To be able to find out what the students needed exactly at the point they were in their process, Anne-Lise, Fatima and I continually discussed contemporary developments among the students and prepared our lectures and activities accordingly. Thought the intensive teaching period lasted for only five days, we were exhausted… That’s by the way one of the significant immediate findings: continual attention, reflection and pedagogical improvisation are exhausting.


A few days after the project, Anne-Lise and I, accompanied by our colleague Willy Aagre, participated at a conference at University of Padova in North Italy. The conference was called “Education as Jazz” and “International Jazz Day” (depends on how you read the creative logo).
The conference was initiated by Professor Marina Santi who, together with the colleagues, managed to prepare interesting, engaging and entertaining repertoire of lectures and musical performances.  Prof. Santi reviewed the conference with the following words: Jazz is applied as a generative metaphor in the educational field and everyday life. Jazz dimensions underline the significance of creativity, innovation, transgression, risk, transformation, adaptability, dialogue, listening, collaboration, openness and intercultural influence.'

My colleagues from Vestfold University College and I presented on the following themes:
- Anne Lise Nordbø: “The improvisation of skills or the improvisation of being together? A discourse about the concepts framing, chance and the complexities of embodied action”
- Willy Aagre: “Society meets the interests of children – The conditions for pedagogic improvisation in a progressive Norwegian school in the 1930s”
- Biljana C. Fredriksen: “The core of improvisation and invention: childhood preconditions for creative, meaningful lives”
 

The photo shows Prof. Marina Santi in dialogue with Jimmy Weinstein.

The conference carried on the themes and the debate from similar event in 2008 “Improvisation: between Technique and Spontaneity”, also organized by University of Padova. The conference from 2008 resulted in 2010 in the book “Improvisation: between technique and spontaneity” edited by Marina Santi. Another book is being planned on the basis of the 2013 conference.

mandag 22. oktober 2012

When your colleagues are also your friends

Liora Bresler told me once that researchers need to belong to a community of knowledge; In order to maintain curiosity and self-confidence there is a need to keep in touch with colleagues with similar interests and ideas. She was right. My little community of about 12 researchers interested in physical space and materiality in preschools has been a place where I could feel at home. Though, one might pose a question if this feeling of belonging rather comes from our personal relations than from our professional interests (?) In any case I can’t imagine that having fun with colleagues can have negative influence on one’s work: Is there anything better than loving to spend time with your colleagues?
 
 
Our three-year-long project “Space and materiality in preschools”, supported by Norwegian research council, has come to an end (not because we have nothing more to research on, but because the money is used up). The end of the project was marked by two conferences at Vestfold University College (VUC): one small research conference on September 24., the other larger dissemination conference (in Norway 450 people means large conference) on September 25. for practitioners and pre-school teacher students. In addition to invited keynote speakers, Ellen Beate Sandseter who spoke about the importance of risky play for learning, and Randi Evenstad and Aslaug Andreassen Becher who spoke about preschool architecture in Norway, everyone form the VUC-project contributed with ten-minute-presentations of their research:
  • Line Føsker (teacher educator in mathematics) studied children’s understanding of space from mathematician’s point of view;
  • Eva Maagerø and Astrid Granly (Norwegian language) studied how walls in preschools communicate in multimodal ways;
  • Solveig Nordtømme (pedagogy) has observed and analysed how preschool spaces inspire children’s interaction and play;
  • Kari-Anne Jørgensen (outdoor education) is in the process of PhD study where she is interested in children’s experiences from outdoor-preschools and how their learning is related to landscapes and outdoor places;
  • Nina Odegard (pedagogy) has been interested in children’s use of recycled materials; 
  • Anne Lise Nordbø (drama) has studied how theatre stage can be transformed into stage for children’s play.
  • Solveig Østrem (religion and ethics) has studied gender related issues in children’s outdoor and indoor play. 
  • Hege Hansson (drama) explored how physical affordances of theatre stage can offer possibilities for children’s aesthetic experience and engagement;
  • Heidi Kristin Olsen (librarian) has taken part in the project as project-librarian, contributing with her diverse competences in innovative ways;
My own presentation of children’s meaning negotiation during their explorative play with materials was given whole 45 minutes… though, time always seems to be too short when one is engaged in what he/she is talking about. It is more likely that the one who talks will forget about time than the one who listens. And it is less likely that the one who talks could suddenly lose interest and get bored than the one who listens. I think that we teachers should consider this fact when we want to engage our student in their own learning… but that is another blog, article… or something.
         
We have received positive response on our patchwork of presentations, performances and audience exercises. What do I mean by audience exercises? Since the conference theme is associated with space, activity and embodiment, our audience needed to be challenged in other ways that simply sitting and listening; Our project coordinator Thomas Moser, professor in physical education, seemed to be inspired by the affordances of the conference room (more precisely the chairs) and improvised an activity to engage the audience physically. This was a great success for the occasion! (…as long as none has reported any broken chares to the janitor…)
 
The organization of the conferences demanded some hard work, but was also a great fun. It was a bit sad too because the project has come to an end – but some of us united a few weeks later in a little village in Northern Spain to write together, discuss our articles, drink vine and even ride horses. And as I said: There is nothing better than when your colleagues are also you friends, and when positive energy from friendship generates all kinds of motivation and joy.
 


Our two professors, Thomas Moser and Gunvor Løkken, deserve many thanks for their motivation, constructive feed-backs and excellent leadership! Big thanks also go to Turid Amundsen for her work with organization of the conferences.

  

fredag 4. mai 2012

Visitors from Spain

In April 2012 my university college received two visitors from University of Valladolid in Spain, Lucio and Fátima. Lucio Martinez-Alvarez teaches Physical Education at the Palencia School of Education. His main interest is the presence of body and movement through the whole curriculum. At Vestfold University College Lucio lectured at the teacher education program and for the international students of Outdoor Education and Experiential Learning. Lucio’s lectures resembled his passion to promote the importance of embodiment in education in general, not only in physical education, and awareness of how the school neglects the nature of human body; Through exclusion and instrumentalization of the body, the school in a sense also delimits students’ development. As Lucio sais, all teachers and all students have bodies – all the time! But how do we meet this unavoidable fact in education?
 
Fátima Cruz is Ph.D. Social Psychologist, professor at Department of Psychology at College of Education and at Faculty of Labour Science at the University of Valladolid. She teaches Psychology of work, Organizational Psychology, Community Development and Socio-Educational Intervention with Families. Fatima’s teaching and research interests are related to: gender perspective and women collective empowerment; gender and social issues in territorial development; social sustainability and community development projects; equity and study of social discrimination and social exclusion process; community development and social issues on sustainable forestry management; and qualitative methods and case study research.

Fátima gave a lecture to students of Social Science and Outdoor Education and Experiential Education students. The lecture dealt with many interviewing themes related to how we view sustainable development. She spoke about relations between diverse human factors, how people view each other, landscape and what it can offer, transport, gender, traditions and so on. Her lecture made me think about how connected everything is and how we humans mutually influence each other in such complex ways. It amazes me how Fátima manages to be attentive to so many dimensions in her trans-disciplinary, qualitative approach to understanding of such complex processes.

Besides meeting Fátima and Lucio professionally, I was fortunate to have them as guests in my home so that we had time for many interesting conversation, game-playing with my son, making food together, visiting places, taking pictures, walking the dog… And we became friends - though it seems that Fatima and I were meant to be friends all since we met for the first time in Urbana, Illinois at Robert Stake’s house. To start a conversation, I told Fatima that an old friend of mine had moved to Spain, I did not know exactly where, but Fatima did know because she happened to know my friend! – Isn’t that strange? When I later went to Spain to visit my friend, Fatima and I arranged to meet. And in October 2011, I spent a week as ERASMUS-exchange-teacher at University of Valladolid in Palencia. When our schools have now established ERASMUS agreements, and more of my colleagues are interested in Fatima’s and Lucio’s research, we have no reason for stop meeting each other and nurturing our friendship.

tirsdag 10. april 2012

Tree Huts and Bending Nails

One of outdoor activities that my international students have been dealing with this spring was building of tree huts. The activity was a part of subject “art and crafts” with extended focus on experiential learning (the name of the course is Outdoor education and experiential learning); The main “products” of the project were not the huts themselves, but the students’ collaborative processes including all kinds of experiences that could possibly emerge: experiences with nature, tools, creative ideas, group discussions, design challenges, materials’ qualities … as well as luck of appropriate tools, materials or trees with desirable branches.

Three groups, with seven students each, had seven days to build three huts with a selection of recycled planks. Each groups had hand tools, like hammers and saws, rope for assembling with living trees and nails for assembling dead wood. The trees were not to be hurt by nails, but there was still much work to be done with hammers, which seemed to be unfamiliar tool for some of the students. It’s not that the students had never used hemmers before, but when the hut building demanded improved speed and quality of nailing, and the nails kept banding, the activity became a group challenge - actually a challenge each of the groups reported later. In their presentation of the building process the students recalled how they tried to understand why the nails banded: Was the metal too soft or the wood too hard? Was something wrong with the hammer? Was it about how long one held the nail before releasing it? They discussed the angle of hammer and way of hitting the nails’ head. They made suggestions and tested new ways of solving this apparently simple problem. But the long, annoying nails kept banding – at least for two of groups. The third group reported no problems with the long nails, however they found the short nails to be impossible. This made the nail mystery even more mysterious…

Activity of nailing involves wood, nails, hammer, hand and whole body that have to negotiate one with another. The easiest excuse for not succeeding in nailing would be to blame the quality of nails, hammers or even the wood, but this would not help you improve. It is only through facing the challenge that you can learn something and achieve mastery. Nails can band for many reasons, but if you are determined to continue, you can try noticing and reflecting about what you do with your body: there are many possible ways of grasping a hammer, using muscles, head positioning, directing eyes, banding back, supporting a nail… You will be surprise how much embodied knowledge is demanded from such a simple activity; You will be amazed by how much knowledge is already stored in your body.

Apart from the nail-problem the groups reported many other challenges that provided them with fresh experiences. Hundreds of practical and aesthetic choices had to be negotiated between the participants and each of them had something unique to contribute with. The fact they were exposed to heavy materials, heights and risky tools, made them develop collective responsibility for each other’s safety. Knowing that the project depended on each of them seemed to make them motivated, proud and emotionally attached, and to make their experiences meaningful and memorable.

søndag 18. mars 2012

NAEA Convention in New York

American National Art Education Association organized their 65th national convention i New York in beginning of March. I was glad to join the other 6999 participants. (Can you imagine 7000 people, all interested in art education, gathered at the same place at the same time?) The hotels Hilton and Sheraton, and the street between them, were crowded by teachers, artists, researchers….

I was happy that my presentation was accepted to be one of the 1000 parallel sessions, and honoured that about 20 people found their way to the basement of hotel Sheraton on March 3rd. Remarkably, two of them were my father- and mother in law who also live in Norway but happened to be in New York the same weekend – actually at the same hotel. How strange is that? Two years ago, when I attended NAEA conference in Baltimore I also experienced a strange coincidences: The first person I randomly mat at the conference, was Maureen, an art teacher K-4, who happen to speak my mother tongue and, as we later found out, was married to a man who grew up in the same neighbourhood in Zemun in Serbia where I grew up!

I appreciate that Maureen, as well as Ana, came to my presentation in New York. Ana Marjanovic-Shane is Assistant Professor of Education at Chestnut Hill College. I had never met Ana before, but we exchanged a few mails about six months ago regarding the book “Vygotsky and Creativity” which she coedited.

Ana teaches and researches within psychology and seems to share my interest in art, creativity and negotiation of meaning. Additionally, we share the same mother though none of us has used it in everyday life for the last 20 years or so. During the lunch with Maureen and Ana, I experienced how difficult it was to have a professional conversation in Serbian because my vocabulary had become too narrow for the knowledge I acquired in adolthood. One the other side, Maureen amazed me with her competence in Serbian which she has learned from her husband.

lørdag 10. desember 2011

For my Colleagues (only?)

On December 1st I had honour to present my PhD-study to my closest colleagues who teach diverse disciplines at early childhood education programs at my university college (Vestfold University College). The presentation was based on the trial lecture (held on November 1st) where I was asked to comment on the on-going national revision of the early childhood teacher education.

The preparation for the trial lecture led to an understanding that the process of the revision is influenced by two parallel processes: making the early childhood education better adjusted to the early childhood practice, and the process of internationalizing Norwegian higher education. But this was not all: the important insight was that these two processes build on quite opposite ideologies. The largest problem though, the way I see it, is not that the two ideologies are impossible to unite, but that the people responsible for the revision do not seem to be aware of the ideologies! This ignorance has already led to number of conflicts, misunderstandings and tensions… and I cannot see any hope for “better” (whatever “better” or “higher quality” might mean) early childhood teacher education if the ideologies are not discussed!

Many of colleagues who listened to the presentation on December 1st seem to share my opinion that the insight about the opposing ideologies is important and should be discussed more. I am thankful for their support and I truly hope that teacher educators and leaders at Vestfold University College will find time for discussions before the new, national education program is to be implemented in our institution.

This is how I have illustrated the ideologies:

Ideology behind Norwegian early childhood education

Ideology behind the international educational trends


Embodied, pre-verbal competences

Knowledge as verbal-language-based


Holistic, unity, embodied metaphor

Traditional, divided disciplines


Complexity and contextualized understanding

Structure, generalizing and dis-contextualized testing


Prolonged engagement, explorative play

Efficiency and economizing


Self-motivation for learning

Knowledge externally defined


Building identity on respect and will to contribute to others

Exclusion and focus on incompetence


Imaginative cognition

Memorizing


Quality of life – here and now

Quality related to international competition




søndag 27. november 2011

Spaces for Emerging Questions

My visual art students are these days struggling to formulate research questions for the first time. They complain that they’ve been working for hours and still don’t have proper questions. My experience is that formulating a question can take weeks and months of reformulating, reading, reflecting, and possibly the most important: discussing with others - Discussions with colleagues with similar interests is, at least, what I find the most important for my emerging questions.
Last week I spent three days with my colleagues – our little community of knowledge with common interest in research on the importance of physical space and materiality in early childhood education. Our three-day-stay at a SPA hotel in Strømstad (Sweden, just on the other side of Oslo fjord) basically consisted of spending time in our rooms and writing, but we frequently met for short discussions and meals. All of us had a well-defined task to write an article for the same journal (Education Inquiry), and it was never difficult to find something to talk about. The conversations about one of the articles were always relevant for the other articles; When someone wondered about something, she/he was usually not alone; When some questions were posed, new questions aroused and engaged the participants in lively discussions.

Informal discussions during the meals contributed to further development of friendly atmosphere, mutual trust and confidence, and created spaces where any kind of question could be posed; Where any kind of question could be born from the synergies of disciplines, interests, knowledge, experiences - and the mutual, inter-subjective engagement.

tirsdag 10. mai 2011

Arts Teaching Conference in Larvik

The “Institute of arts, physical education and food” at Vestfold University College, arranged a conference about practical, aesthetic learning (PES: praktisk, estetisk, skapende) in Larvik on May 4-th and 5-th. As a member of the group responsible for preparing the conference, I was eager to experience the keynote presentations and parallel sessions, as well as curious if the conference composition and content would manage to engage the participants. The audience was interdisciplinary and came from Sweden, Denmark and Norway. This group of approximately 150 was a mixture of researchers in arts (music, drama, visual art and dance), teachers in schools and preschools, artists and other people interested in the arts and their value in education. Farris bad (the hotel where the most of participants stayed during the conference) also offered rich variety of embodied, aesthetic experiences.

The program included 3x30-minutes parallel sessions on both of the days. Apart from learning from each other the purpose of the conference was to build network and provide opportunities for people with common interests to meet. See the conference program. Hege Hansson leaded the program (both of us have embodied experience of standing on the main stage between the speakers).

Professor of philosophy Dorthe Jørgensen from University of Aarhus, was the first keynote speaker. Her presentation about “aesthetic thinking” made a brilliant introduction to the conference theme. Two preschool teachers (Veronika Lovise Wist and Anders Skog) presented their prize-winning projects with children, and the projects were commented by Grethe Bekkevold who was a member of the jury who selected the winner for the annual national prize. Tollef Thorsnes’ large three-dimensional installations in wood and flames made the specific ambient in the main conference room.

Professor Liora Bresler, from University of Illinois, was one of the keynote speakers. With her broad knowledge about the global position of the arts (she has for instance edited the “International handbook of research in arts education”, 2007), she spoke about the specific values of the arts and how they can contribute to education.

Hillevi Lenz Taguchi from Stockholm University, spoke about intra-active pedagogy and the importance of physical materials for children’s learning.

Merete Morken Andersen, writer and colleague from Vestfold University College, spoke about the process of creating as both an individual and collective process.

Donatella De Paoli, from Norwegian Business School (BI) approached the arts education from a unique angle addressing relations between arts teaching and society from an economist’s point of view. Turid Amundsen was responsible for practical arrangement long before the conference, and had responsibilities which often appear invisible if everything functions as it should. Geir Salvesen, the dean of the Faculty of Education at the Vestfold University College (and also a music teacher) opened and closed the conference… with hopes for continuing discussions and new possibilities to meet and promote the importance of the arts.


tirsdag 12. april 2011

Supervisor Worth Gold

I realized it was sunny yesterday. In the last months I’ve been intensively writing the thesis and did not pay attention that the spring has arrived. That’s wonderful: both that the spring is here, and that I can finally lift up my eyes from the screen. I’ve been working hard. Approximately each second week I sent a new chapter to my supervisor Martina Keitsch (see the photo), who read the text in a day and the second day we met to discuss the chapter. Can you imagine how fantastic it has been that she could give me the feed-back so quickly? Imagine if I had to wait for her feed-back for two weeks or a month – the writing process would have to take additional eight months of waiting…

I can understand that supervisors are busy people with many important tasks – but for a student whose work depends on getting feed-back, it is important that the student is placed close to the top of supervisor’s task list. This is important for the student to get the work done, but, above all, to feel that one’s work is worth something – that one should not give up! When the feed-back is also constructive and encouraging – as Martina’s has been, the supervisor’s support has immeasurable value: she deserves, at least, her own weight in gold :)

I cannot believe I am almost finished with writing the thesis before I send it to a “reader” (which is planned for next week). This is how the last phase of PhD study works at The Oslo School of Architecture and Design: A few months before the thesis is to be delivered, it is sent to an appointed reader, who in about a month gives her/his feed-back. Then it usually takes one to two months to rewrite the thesis. If one needs language editing (as I do since I write in English – my third language) that will probably take another month. And then, there is layout and making sure that references are properly written. This should be easy when one uses the software EndNote – but there are still so many details I would not be able to fix without the help of librarians Heidi K. Olsen and Kristin Østreholt. Thank you thousand times (as we say in Norwegian)!

onsdag 29. september 2010

The Research Days


”Forskningsdagene” (the Research Days) is an annual arrangement at Norwegian universities and university collages – it is a festival that celebrate research. During the 5-6 days open presentations are held for students, employees, practitioners, and everybody who is interested to hear about (and experience) different research projects. This year’s theme was “Veien til viten” (“The way toward knowing”), which was appropriate for presentations of different research inquiries, as well as projects about educational.

At the Vestfold University College, September 28-th 2011 was dedicated to research in arts – more precisely, to research on “aesthetic learning process”. Judging by the number of books recently published, this concept seems to be emerging in Scandinavia, but it is still new and interpreted in different ways. My short interpretation is that “aesthetic learning process” is the process of meaning making that takes place when embodied forms of learning are appreciated.

The projects presented on September 28-th were about music making and performing, theatre for those who have just learned to walk (1-2 years old), relations between different modalities in art, creating links between traditional techniques and new contexts, knitting design, search for a fiddler’s music lost in time, testing own taste, students’ explorative design with spoons ...

I also had a chance to present my project, focusing on similarities between my own, and young children’s way toward knowing; When I was studying with 3-5 years old, their engagement with 3-D materials was as important for their learning as my engagement with them was for mine. Answering the question about ways toward knowing, I suggested that our knowledge streams through our nerve-, muscle- and blood- systems and integrates our embodied experience, mind and feelings.

All presented and exhibited project are a part of a larger umbrella project called “PES”. The “PES” gathers colleagues that teach and research in different disciplines at out teacher-education programs, and focuses on practice- , aesthetic-, and design-based approach to learning. The same interdisciplinary milieu is arranging a Scandinavian conference about “Aesthetic Learning Process” in May 2011. Welcome to send your paper proposals! http://www.hive.no/laereprosesser-konferanse/

The images:
Pål Runsjø plays inside an art instalation;
Pål Runsjø, Olav Ness, Stein Storsve, Geir Salvesen and Knut Høydal play music written by Jacob Olsen