tirsdag 10. mai 2011

Arts Teaching Conference in Larvik

The “Institute of arts, physical education and food” at Vestfold University College, arranged a conference about practical, aesthetic learning (PES: praktisk, estetisk, skapende) in Larvik on May 4-th and 5-th. As a member of the group responsible for preparing the conference, I was eager to experience the keynote presentations and parallel sessions, as well as curious if the conference composition and content would manage to engage the participants. The audience was interdisciplinary and came from Sweden, Denmark and Norway. This group of approximately 150 was a mixture of researchers in arts (music, drama, visual art and dance), teachers in schools and preschools, artists and other people interested in the arts and their value in education. Farris bad (the hotel where the most of participants stayed during the conference) also offered rich variety of embodied, aesthetic experiences.

The program included 3x30-minutes parallel sessions on both of the days. Apart from learning from each other the purpose of the conference was to build network and provide opportunities for people with common interests to meet. See the conference program. Hege Hansson leaded the program (both of us have embodied experience of standing on the main stage between the speakers).

Professor of philosophy Dorthe Jørgensen from University of Aarhus, was the first keynote speaker. Her presentation about “aesthetic thinking” made a brilliant introduction to the conference theme. Two preschool teachers (Veronika Lovise Wist and Anders Skog) presented their prize-winning projects with children, and the projects were commented by Grethe Bekkevold who was a member of the jury who selected the winner for the annual national prize. Tollef Thorsnes’ large three-dimensional installations in wood and flames made the specific ambient in the main conference room.

Professor Liora Bresler, from University of Illinois, was one of the keynote speakers. With her broad knowledge about the global position of the arts (she has for instance edited the “International handbook of research in arts education”, 2007), she spoke about the specific values of the arts and how they can contribute to education.

Hillevi Lenz Taguchi from Stockholm University, spoke about intra-active pedagogy and the importance of physical materials for children’s learning.

Merete Morken Andersen, writer and colleague from Vestfold University College, spoke about the process of creating as both an individual and collective process.

Donatella De Paoli, from Norwegian Business School (BI) approached the arts education from a unique angle addressing relations between arts teaching and society from an economist’s point of view. Turid Amundsen was responsible for practical arrangement long before the conference, and had responsibilities which often appear invisible if everything functions as it should. Geir Salvesen, the dean of the Faculty of Education at the Vestfold University College (and also a music teacher) opened and closed the conference… with hopes for continuing discussions and new possibilities to meet and promote the importance of the arts.


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